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23 tones found

Tones by thewhites

Product   Tone Name Guitarist Song Band Amp Style Downloads  
 
  
Author   Comments Date Pickup Rating
 
POD HD500

Winter Franken Edgar Winter Frankenstein Edgar Winter Classic Rock 256
thewhites Best if used with a humbucker. This is the crazy keyboard sound at the end of the keyboard solo. To make this work best you must use a purple or green pick, or maybe even a red pick with white dots. Use the edge of the pick and beat down hard on the strings and play in time with the delay. If you hit straight down you get the tight hard sounds, barely slide the pick along the strings while doing the same thing above and youll get that crazy pitchy sound. also the lower strings with give you the higher pitch in this keyboard sound probable because of the harmonics it produces. Have fun. This sound comes with rave reviews from my hard to please fiancee who hates it when I practice. I had her listen to it and she asked if that was it for the night and when I said yes she said "sounds great". Please rate this sound for me. I spend quite a bit of time doing this so I would like to know what you all think. 12/4/12
 
POD HD500

Smooth Lead Class A-15 332
thewhites This is one of my lead patches. It was written using a JTV Variax into POd HD500 in studio direct mode into L3t speaker in Monitor mode. The expression 2 pedal controls the amount of mix of delay. If you turn on FS4 you the treble on on your variax will turn into a whammy pull up bar and the volume on variax will dive like a whammy bar. Make sure both vol and treble knobs are set at full on position b4 you engage fs4. The more you move them to the off or zero position the more whammy effect you will have. To enhance this even more use the wah while using the whammy effect and also play with the delay mix on expression 2 7/19/12
 
POD HD500

You Can call me You Can Call Me Al Paul Simon Blackface Double Nrm Pop 203
thewhites This patch is You Can Call Me Al from Paul Simon. It was written using a HD500 in studio direct mode from Variax JTV 2nd position strat into the Line 6 L3t Speaker in Monitor mode 7/19/12
 
POD HD500

Lights Neal Schon Lights Journey Hiway 100 Rock 616
thewhites This tone was written using the JTV Variax into the HD500 in studio direct mode into the Line 6 L3t speaker in monitor mode. Strat position 5 will automatically pull up when you select patch. Back off your guitar volume knob to around 70% until the solo. For the solo pull volume all the way up on guitar and click fs1 to turn on screamer. 7/13/12
 
POD HD500

maggie mandolin Jeff Back Maggie May Rod Stewart / Gibtone 185 / Gibtone 185 Rock 497
thewhites This is the 3rd of 3 patches for Maggie May. I used a combo of Banjo and clean sound to attempt to create the Mondolin at the end of the song also using a delay to double the sound. This is using the JTV Variax through HD500 in studio direct mode into Line 6 L3t cabinet in monitor mode Please leave a star rating to let me know what you think. 7/6/12
 
POD HD500

maggie solo Jeff Beck Maggie May Rod Stewart Blackface 'Lux Nrm Rock 612
thewhites This is patch #2 of three be sure to download all three for this song. This uses a strat in the JTV Variax into pod hd500 set at studio direct mode into Line 6 L3t in monitor mode. Please leave the proper star rating to let me know what you think. 7/6/12
 
POD HD500

maggie 12 Jeff Beck Maggie May Rod Stewart Rock 517
thewhites Be sure to download all three patches. They are volume matched. This uses the basic 12 string in JTV Variax through HD500 in studio direct mode into Line 6 L3t pa cabinet in monitor mode. Please rate this tone. 7/6/12
 
POD HD500

Where Streets Ha The Edge Where The Streets Have No Name U2 Class A-30 TB Rock 694
thewhites This patch use JTV Variax in Strat position 2 into POD HD500 in studio direct mode into Line 6 L3t cabinet set to monitor mode. If you download this tone please take a second to rate it. 7/6/12
 
POD HD500

talks to angels ? She Talks To Angels The Black Crowes Rock 437
thewhites This patch uses the JTV Variax Acoustic Model 1 ituned to open E through HD500 in studio direct mode into the Line 6 L3T PA Cabinet set to Monitor Mode. If you download this tone please take a second to rate it. 7/6/12
 
POD HD500

soul sister ? Hey Soul Sister Train Pop Rock 450
thewhites This patch uses the acoustic model 1 in the JTV Variax capoed at the 9th fret so you can emaulate the mandolin by playing the song open (1st chord is G) and uses the HD500 through Line 6 L3t PA Cabinet set in monitor mode. If you download this tone please take a second to rate it. 7/6/12

Model Packs increase the number of Amp or FX Models of a GuitarPort, TonePort, PODxt, PODxt Live or PODxt Pro, for a wider variety of tone possibilities. When a particular tone in the library relies on a Model available in one of these packs, you'll see symbol(s) to indicate which Packs: MS (Metal Shop), CC (Classics Collection), FX (FX Junkie), and PP (Power Pack).

The models within the FX Junkie Model Pack are already included in PODxt Live, and offered for purchase to add-on to GuitarPort, TonePort, PODxt and PODxt Pro.

Variax is the uniquely flexibile guitar from Line 6. Our Vetta II amplifier includes a digital connection for the Variax that lets you store settings for both your amp and your guitar in the Vetta II so that when you call up a Vetta Channel Memory your amp and guitar can change sounds together. Vetta II Tones marked with this guitar symbol include this Variax data.

For each tone in the library, you'll see an icon for either a single coil or humbucker pickup. This tells you whether the tone is best for use with a single coil pickup or a humbucker, so you can select the appropriate pickup on your guitar when using this tone.

Attention POD 2.0, Flextone and HD147 owners... Your hardware doesn't do Stomp effects, so you'll hear something different than what was intended. Try increasing the Drive or choose a higher gain Amp Model to get the right sound. The other aspects of the sound should translate as expected, so you'll at least get a great starting place for tweaking.

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Tones contributed by users to the Public Tone Exchange are made by individual users, who are in no way affiliated with Line 6. Any product name or trademarks used by the users to describe their Tones are the sole property of their respective owners. Any use of these product names or trademarks of other manufacturers should not be construed as an endorsement, association or affiliation with Line 6.