| RED |
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GREEN |
| Clean |
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Clean |
| Crisp, shimmering clean tones and warm jazz tones. |
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Glassy clean tones like those from the late 60s/early 70s. Inspired by* a ‘73 Hiwatt® Custom 100. |
| Twang |
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Twang |
| Classic, glassy high-end with some snap and bite. Inspired by* a Fender® blackface ’65 Twin Reverb® and a blackface ’64 Deluxe Reverb® |
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Swingin’ rockabilly tone a la vintage tweed. Inspired by* a ’53 Fender® tweed Deluxe Reverb®, a ’58 Fender® tweed Bassman® and a ’60 Gibson® Explorer® |
| Blues |
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Blues |
| From gritty, swampy clean tones to syrupy smooth drive tones. Inspired by* a mix of a ’65 Marshall® JTM-45, a ’58 Fender® Bassman®, a ’63 Fender® Vibroverb and a Supro® |
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Early British rock tone made famous by the Beatles the Stones. Inspired by* a fawn Vox® AC-30 with an updated and expanded tone control circuit |
| Crunch |
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Crunch |
| Classic crunchy tone popularized by many early metal bands. Inspired by* a '68 Marshall® Plexi 50-watt |
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The infamous brown sound inspired by* a ‘68 Marshall® Plexi 100-watt with a few added extras: jumped input channels and a Variac transformer |
| Metal |
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Metal |
| Tight and punchy high-gain sound. Inspired by* a Mesa/Boogie® Dual Rectifier® |
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Aggressive high-gain sound. The mid knob sweeps the tone spectrum: set to minimum for fuzz-pedal characteristics; set to noon for creamy, modern high-gain; crank it for Class A carnage |
| Insane |
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Insane |
| Famed and feared bone-crushing, brain-piercing grind. Inspired by* the Mesa/Boogie® Dual Rectifier® red channel |
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Short of a complete meltdown, as much input-gain distortion as possible while retaining tonal definition and character |